365 Movies By Day Reviews of Movies I Watch that I Feel Like Writing About

25Jan/180

Get Out (2017)

Jordan Peele's debut feature film Get Out was a film that I originally wasn't going to review. I liked the movie well enough but it wasn't one that I totally felt comfortable writing about. I only do so now because it is likely to be nominated for Best Picture and could get as many as 10 nominations. This is kind of crazy for a movie released in February. It certainly isn't unheard of, but it is rare. It's Academy Award nominations, 99% fresh rating on Rotten Tomatoes and $175+ million in box office revenue off a $5 million budget confirm that this is one of the most surprising and successful movies of all-time. It may be THE most successful horror movie of all-time if you measure it by those four factors alone. It's a movie that keeps you engaged and entertained from its very first scene (think a toned and shorter version of the first scene in Scream), powers its way through a unique plot that you've never seen on film before, and keeps you on the edge of your seat through its bold and unpredictable final act. It's not only a great time at the movies that will keep you guessing until the very end. If takes on some underlying racial tones and tensions of the day that makes it seem like comedian Peele (Key and Peele) has been doing this his whole life. But this is is his first real dabble with anything outside of comedy, his first attempt at writing something for the big screen, and his first attempt at directing. He nailed each of these with pure precession. He will undoubtedly receive an Oscar nomination for Best Original Screenplay. There will be other nominations too and it appears that Best Picture will be one of those. It will be much deserved in a year that will, for the most part, be forgotten about when it comes to movies. That is outside of little, unsuspecting movies such as this. 

31Dec/170

mother! (2017)

There are two different types of people in the world. There is the group of people who, when asked if they've seen Darren Aronofsky's (The Wrestler, Black Swanmother will say no. And then there is the group of people who kind of look at you with a bizarre look on their face and shamingly say, "Yeah" and hope that you don't ask any follow-up questions. And that's not to say they are embarrassed by admitting that they've seen the movie (we've all been at theater before when we walk out with our heads down, hoping that we don't see anybody that we know because we don't want them to know we just paid to see a movie that was THAT bad), but because the film is so far out there that a follow-up question asking the person what they thought about it or if they liked it might allow them to draw conclusions about us. Aronofsky makes movies that you either love or hate. I absolutely adored The Wrestler and Black Swan, but passionately hated Noah. I have a certain respect for Requiem for a Dream and have desperately tried, but have been unsuccessful in my attempts to sit through The Fountain. If you have not liked a single one of the movies that I just referenced, I can almost guarantee that your experience with mother! will not be an enjoyable one. However, if have liked one or more of the five previously mentioned film and are willing to go into mother! with an open mind, I cannot promise that you'll enjoy it, but I do think you will appreciate it. I found myself appreciating it far more than enjoying it, but I THINK I still enjoyed it. I will say this...the film started like a normal film might start, but ended differently than any film I've seen before. And the entire time, I could not look away from the screen. This film absolutely offers something that you just haven't seen before, especially with a cast as magnificent as this one.

2Jun/170

Lights Out (2016)

Lights Out is based on a 2 minute and 41 seconds short by directing newcomer David F. Sandberg. Creepy from its opening scene all the way to its final second which WILL creep you out, the film got the funding to be developed into a full-length film that stars not one, but two well-known actresses. The 2016 release flew under the radar. I never even heard of the film until it was brought up on repeated occasions of The Film Vault, a movie podcast site that inspired the Six Pack feature on my blog. If you're a person who watches A LOT of movies, the Film Vault is a weekly must listen to. Anderson and Bryan review all the recent films while also doing a Top Five segment each week (top five stabbings, top five divas, top five movies we can't wait to show our kids, etc.). Also, they assign each other movies that the other one probably would never see on their own and require each other to follow through on these assignments. Like almost all podcasts, it can get a little long at times and sometimes the movies they discuss are so obscure that you might have only seen two or three of the 15+ films they discuss each week. But if you watch a lot of movies, even if you don't necessarily agree with their lists entirely, you're going to be introduced to a lot of movies you've never heard of. And, if nothing else, you'll at least be intrigued to research some of these films to learn more. That's exactly what happened to me with Lights Out

28May/170

Alien: Covenant (2017)

Ridley Scott's (Gladiator, The Martian) brainchild franchise proves a few things. The Alien series still has legs. Its sequels continue to evolve. And Scott has no plans of letting his baby fall into the wrong hands again. Ridley's monster first burst onto the screen in 1979's Alien, a movie that did for space travel what Steven Spielberg's Jaws did for swimming on beaches just four years prior. It certainly wasn't the first movie set on a spaceship. And it certainly wasn't the first horror film. But, if it wasn't the first horror film set in space, it was certainly the first one we all remembered as being the first one. And, just as the tagline of the original movie poster suggests, In Space, No One Can Hear You Scream, nothing can be truer as sit down and prepare ourselves for one of the Alien movies (minus the two Alien Vs. Predator movies of course).

5Apr/170

Life (2017)

Wow! Life > Alien.!

Yup. You heard that right. 2017 is off to a tremendous start! January, February, and March typically combine for the worst quarter of the year for movies. I've been reviewing movies since 2010 and each year has confirmed this belief. I didn't anticipate 2017 feeling differently but is slowly happening. First, there was the surprising Split, which I personally wasn't a fan of, but one that did fantastic with audience and critics. Then there was Logan, which at the time of this writing is one of my five favorite Marvel movies ever. Sprinkle in the surprise hit Get Out, the quality reboot Kong: Skull Island, the live-action smash success Beauty and the Beast and you already have five movies that, won't necessarily be up for awards at the end of the year, but will be remembered as success stories for 2017. Now add a late March release of Life, the Jake Gyllenhaal/Ryan Reynolds vehicle that has been wowing potential audiences with both extended trailers and television advertisements during some marquee events. And for good reason. The trailer drew my interest and, barring a complete rejection by the critics, I knew this would be a movie that I saw in the theater. I am actually surprised by the 66% critics score and even more shocked by the 61% audience score. This movie isn't necessarily a thinker in terms that you're going to get confused, but it does make you use your brain to follow along. For this reason, I don't expect an audience score to be 95% or whatever, but I would expect it to be much higher. Perhaps it was a little slow for some people at times. I certainly did not think so. I was hooked from the beginning and thoroughly engrossed the entire 103 minute run time.