365 Movies By Day Reviews of Movies I Watch that I Feel Like Writing About

28May/170

Alien: Covenant (2017)

Ridley Scott's (Gladiator, The Martian) brainchild franchise proves a few things. The Alien series still has legs. Its sequels continue to evolve. And Scott has no plans of letting his baby fall into the wrong hands again. Ridley's monster first burst onto the screen in 1979's Alien, a movie that did for space travel what Steven Spielberg's Jaws did for swimming on beaches just four years prior. It certainly wasn't the first movie set on a spaceship. And it certainly wasn't the first horror film. But, if it wasn't the first horror film set in space, it was certainly the first one we all remembered as being the first one. And, just as the tagline of the original movie poster suggests, In Space, No One Can Hear You Scream, nothing can be truer as sit down and prepare ourselves for one of the Alien movies (minus the two Alien Vs. Predator movies of course).

17May/170

The Wall (2017)

First things first, if you think you're going into this seeing a John Cena movie, you will be sorely disappointed. This movie is similar to a move like 127 Hours, Cast Away, I Am Legend, or All Is Lost in the sense that it revolves almost entirely around a single character. The are a couple of major differences though between this one and those just stated. There are no flashback scenes. This movie is done almost entirely in real time. And it occurs in a single location, though 127 Hours, for the most part, does as well. The Wall is similar though in the sense that each of the mentioned movies experiences EXTREME periods of hopelessness during a part or a majority of the movie. The Wall isn't nearly as good as these other movies, but it was unique enough that it held your interest. Whereas 127 Hours was based on a true story, where All Is Lost is easily believable, and where I Am Legend is more of a science fiction movie that we have to suspend our belief for, The Wall falls somewhere in between. I loved that it was just 81 minutes long. It didn't need to be any longer so why drag something out when it doesn't have to be? And the first 20 minutes were completely engrossing. I knew a little bit about the movie, but not enough to know where it was going. But then it took a turn for the weird that took the believability aspect out of it and turned it into a game of cat and mouse that, while entertaining, was not something I'd expect out of my war movies.

29Apr/170

The Lost City of Z (2017)

The Lost City of Z was a movie that had all of the makings of a movie I should love. I love aa good adventure movie and the idea of floating down a wooden raft in the Amazon River sounds like something I'd enjoy. I'm a big fan of John Grisham novels, but most of us law thrillers (with the exception of ones like A Time to Kill or The Firm which were adapted into films) often tend to blend together. That is, with the exception of The Testament, a novel that was equal parts big city courtroom as it was Amazon Jungle adventure. There is something about The Amazon that I find intriguing, almost like I can't get enough of it...especially when it's displayed onscreen as a true adventure story. This is exactly what James Gray's (Two Lovers, The Yards) is. Despite not knowing anything else about this movie I was intrigued by this one sentence plot line and the fact that it had an 87% fresh score on Rotten Tomatoes at the time of its release. Unfortunately, this movie did not live up to my lofty expectations. At 140 minutes it was often too slow and meandering. But at the same time, it was not long enough to tell the entire story. There was too much to tell and the cuts between the various events happening. So many parts of this movie needed to be longer. Yet at the same time, the movie felt like it was way too long to begin with. It was one of those "damned if you do, damned if you don't" scenarios. I don't know if it ultimately failed. But it certainly did not succeed. 

13Apr/170

I Am Michael (2017)

Justin Kelly (King Cobra) goes for broke in the second feature film of his career leading an ensemble cast that includes current A-listers James Franco (127 Hours, Rise of the Planet of the Apes) and Emma Roberts (Celeste and Jesse Forever, We're the Millers) as well as the always underrated Zachary Quinto (Margin Call, Star Trek) and veteran Daryl Hannah (Wall Street, Splash) with a controversial true story that is very near and dear to me personally as person who identifies himself as a Christian and also someone who is completely okay with homosexuality, despite what The Bible and fundamental Christians feel about it. I am unwilling to get into a debate about my personal beliefs, but I have no problem sharing them with those who are willing to listen and want to hear my thoughts on this. In fact, this post could be as far removed from an actual movie as you might find on my blog. Of course, I will discuss the movie plenty, but I am also using this as an avenue to express my beliefs on a subject matter that I feel very strongly about. Even you're willing to listen, awesome. If you aren't, I'll simply say move on from this post and read the review on Roger Ebert's website instead to determine if this movie is for you.

5Apr/170

Life (2017)

Wow! Life > Alien.!

Yup. You heard that right. 2017 is off to a tremendous start! January, February, and March typically combine for the worst quarter of the year for movies. I've been reviewing movies since 2010 and each year has confirmed this belief. I didn't anticipate 2017 feeling differently but is slowly happening. First, there was the surprising Split, which I personally wasn't a fan of, but one that did fantastic with audience and critics. Then there was Logan, which at the time of this writing is one of my five favorite Marvel movies ever. Sprinkle in the surprise hit Get Out, the quality reboot Kong: Skull Island, the live-action smash success Beauty and the Beast and you already have five movies that, won't necessarily be up for awards at the end of the year, but will be remembered as success stories for 2017. Now add a late March release of Life, the Jake Gyllenhaal/Ryan Reynolds vehicle that has been wowing potential audiences with both extended trailers and television advertisements during some marquee events. And for good reason. The trailer drew my interest and, barring a complete rejection by the critics, I knew this would be a movie that I saw in the theater. I am actually surprised by the 66% critics score and even more shocked by the 61% audience score. This movie isn't necessarily a thinker in terms that you're going to get confused, but it does make you use your brain to follow along. For this reason, I don't expect an audience score to be 95% or whatever, but I would expect it to be much higher. Perhaps it was a little slow for some people at times. I certainly did not think so. I was hooked from the beginning and thoroughly engrossed the entire 103 minute run time.